A bridge far enough

Once upon a time, in a birding world far, far away, if you wanted to take meaningful photographs of birds, then you needed to invest heavily in photographic equipment - camera bodies, various lenses, tripods, film, developing and printing - you needed to start with a small fortune and forgo pure birding and focus almost entirely on photography. In fact, you were either a bird watcher or a bird photographer . In my birding youth there were but a handful of well-known bird photographers, largely shooting in black-and-white, with JB and S Bottomley and Eric Hosking springing most readily to mind. More affordable equipment, increased leisure time and a swelling in the interest in rarities encouraged a blossoming of 'birders with cameras' at the end of the 1970s and the turn of the 1980s. You still needed to fork out a few bob, but many did so. It became a staple part of a twitch to see these photographers selling their prints of recent rarities, and some of them made a tidy sum ...